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ART & CRAFT OF BIHAR

Bihar Tour Package

As would be expected of any ancient civilization, Bihar has a very rich tradition of folk art. In the north, the predominant theme are from the myths and legends of Hinduism. The Hindu deities, Lord Rama and His consort Seeta; and Lord Shiva and His consort, Parvati, form the main theme of folk paintings. Lord Krishna and His consort, Radha, are not as common a theme as they are in the neighbouring states of Uttar Pradesh and West Bengal. Also included, either under the guise of the Hindu deities as couples, or more overtly by paintings of man and woman as husband and wife, is the theme of procreation. These paintings frequently adorn the nuptial chamber, the kohbar, of a newly married couple on their wedding night. Bhagalpur is well known for its sari-culture, manufacture of silk yarn and weaving them into lovely products.
 

ART & CRAFT

Sujini and Khatwa Embroidery

The sujini is a traditional quilt made in Bihar. For the inner stuffing old clothes are used and threads drawn from the saree border are used for the embriodery. The embroidery is done in running stitch in a scale pattern and depicts village scenes such as bride in palanquin, peacocks dancing, boy flying kite, etc. Durga is sombre brown, ochre and black is another favourite imagery. The applique work of Bihar is called "Khatwa" and is used to craft decorative tents, canopies, shamianas, etc. The applique designs for tents are Persian type trees, flowers, animals, birds, etc. For canopies the whole design with circular central motif is cut out of a single cloth

Madhubani Paintings

Named after the village of the same name in Bihar, madhubani art is a vital and creative folk painting which expresses itself in symbolic motifs, the exploits of Durga, Radha and Krishna, Shiva and Parvati as well as those of local rulers. Done in natural colours on walls, the elaborate paintings are full of symbols of good luck such as elephants, fishes, parrots, the sun and moon and giant flowers. The colours range from vibrant red, yellow and green to ochre, brown and black.

The best Madhubani paintings are done by local artists of Madhubani village on walls, paper and cloth. Authentic in form and spirit, they charm with their folk vigour and sense of movement.

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Wood Inlay

Wood Inlay is one of Bihar's ancient industries. The inlay continues to be done with different materials, metal, ivory and stag-horn. Apart from decorative pieces like wall hangings, table tops, trays, and a number of utility articles are also ornamented with inlay work. Patna also manufactures articles in diaper work utilizing waste pieces of wood. Marvellous pieces of trays, boxes and other articles for household use are produced using this craft. The designs are mostly geometrical but very fine and colourful.

Lacquer ware

In Bihar lac has been gathered and used for ages. The vermilion container called sindurdan used in marriages in Bihar is made by a whole community called laheris. the boxes are decorated with the prescribed motifs of fish, chakra and peacock which have a moving rythmic quality. One of the oldest items seems to be a round conical box, in which the bride's parents present her with a nose ring at the marriage that has exciting symbols of fertility and longevity engraved on its red body. Other equally colourful and ornamental articles are chapati boxes and dry fruit containers.

Stone craft

Bihar's rich heritage of stonecraft is evident from the ancient sculptures of the Mauryan period, prominent amongst which is the famous Asoka pillar at Sarnath. The most noted stoneware centre of Bihar is Patharkatti in Gaya district. this area abounds in the less expensive blue black pot stone from which images and household articles like the pestle, the mortar kharal (medicine grinder) are made. Buddhist icons are a speciality. Chandil and Karaikalla in Singhbum district and Dumka in Santhal parganas work in beautifully grained greenish black soapstone.

Glassware

Patna has had a fine tradition of glassware, mostly tableware, and this was amongst the popular items exported abroad in large quantities. This craft seemed to have declined with time. However, the state has revived glassware in another form. Glass objects are now decorated in the tikuli technique. Traditional pictures like those made on the walls of the houses, highly deorative and attractive, are made on glass with gold or silver pieces to fill up the entire picture. A number of utility articles are made in this style such as wall decorations, boxes, trays, table tops, mats, etc

Masks

The chou dance of Seraikala in Bihar is highly sophisticated and uses masks. Though the dance originated in the middle ages, the masks seem to have gained a sophisticated look over the years. Today the are not only very stylish but also equally dainty.

The papier-mâché masks of Bihar are impregnated with inarticulated meaning. Traditionally only those people who were dancers were permitted to make the masks. Originally they were made of wood, later of bamboo, then pumpkin shells and now papier-mâché.

Printed Textiles

In Bihar, printing is done on cotton, wool and silk. Places like Bhagalpur, Bihar Sharif, Darbhanga, saran and Patna are well known for this craft. Gaya, being a famous place of pilgrimage has the religious textiles with the names or footprints of deities printed all over in ochre or red. The chunris of Bihar deserve special mention. One sees a whole panorama of designs in these chunris ranging from traditional to floral and animal forms. There is a small printing sector in North Bihar at Sursand where only mica (khari) printing is done. Bright colours are used and largely dots and stars strewn all over form the designs.

Carpets

Obra in Bihar has a hoary tradition in carpet weaving dating back to the Buddhist and Mauryan era when high class floor coverings used to be woven here. But the pile carpet as we know it took birth only about 300 years ago and flourished because of royal patronage offered to carpet weaving. Though it still continues to produce the old designs based on the Indo-Persian style, it is on the decline, and having got isolated from Gaya-Sasram it produces a rougher variety in the usual floral and geometrical patterns.

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